Thursday 8 August 2013

TRADISIONAL CLOTH OF SARAWAK

                   
MALAY 

Before the 20thcentury, Malay women wear a cloth kemban in public places. However, after the arrival of Islam, they began to wear baju kurung is more polite. Baju kurung is a looser shirt with exquisite, sometimes to knee and paired with a long cloth folded edge. Baju kurung can be matched with traditional fabrics such as asembroidered or batik. Typically, these clothes are used with a clothor scarf head scarf. The traditional attire for men is the Malay dress. Malay-shirt is a loose tunic worn over trousers. It is ofthe coupled with the addition of fabric wrapped around the waist. Malays will use this clothes during many occations, like Eid Mubarak, wedding, Friday prayer, and so on.

baju kurung for women 

baju melayu for men 


CHINESE 

Traditional cheongsam or "long dress" a comfortable and chic are often seen to this day. Cheongsam are not known for womens only, but mens to. Normally, the frog has a high collar, Buttons atthe shoulder, the shape of the pack at the waist and the left and rightparts of the fabric. It is often made of silk, satin and other fabric. Cheonsam is used on Chinese New Year.

   cheongsam collection for women 
cheongsam for men 




INDIAN

Sari is the traditional dress of India is easily recognizable throughout the world. A piece of fabric measuring 5 to 6 yards inlength is matched with a colourful cloth-like sari fabric, as well as the colour Choli same or opposite thereto. Sari cloth was wrapped arround the body with the embroidered ends is placed over the left shoulder. Cloth is worn just above or below the center and servesas a support garment to hold the saree. Made from a variety of types, patterns and colours are really beautiful fabric. Clothing salwar kameez or Punjabi suit, which is also popular among women in northern India, consists of a long blouse paired with loose pants, and appropriate head covering colour. Kurta is the traditional dress for men on formal occasions. It is a long shirt taht reaches the knee and often made of cotton or linen. These clothes are used in wedding and deepavali.



 MENS



WOMENS





IBAN 

The male Iban is dressed in Baju Burung or vest and sirat woven loin-cloth (cawat)which is a warrior's outfit. They also wear accessories such as a belt, armlet and anklet made from silver and a headgear decorated with hornbill feathers. The Iban maiden wears the ceremonial dress consisting of the bidang cloth, marek empang which is a chest adornment, the sugu tinggi headdress and other silver ornaments such as the coil belt and bangles. Kumang is a ceremonial headgear worn by Iban maiden. It is made by Chinese silversmith from Sarawak. The design is in a form of a comb with pieces of hairpins decoreted with beautiful repousse and embossed flowers. Iban women still wear this headgear, especally during ceremonies. These attires are used during a festive season called "hari Gawai"

cloth for men 
cloth for women 



BIDAYUH 

The everyday dress of men consists of a long loin-cloth called tawuop or tahup, which is wrapped tidily around the body with one end hanging down in front and the other end hanging down behind. It is usually made of blue cotton cloth with red, blue and white band at the end. They also wear the headgear burang sumba, which is made of a red cloth with a narrow border of golden lace. Some men, however, prefer to wear the blue headgear ending in three broad bands of red, blue and white. Generally, men have no ornaments on their bodies except for the armlets kima and an occasional earring. The principal article of dress amongst the women is the jomuh or a short petticoat. Necklaces made of beads and the armlets of shell are the common ornaments. In some areas, for instance, in the right tributary of Sg. Sadong in Serian District and in the upper reaches of Sg. Sarawak Kiri and Sg. Sarawak Kanan, copper bangles sarim are worn on the legs from the knees downward. In some villages, they also wear copper bangles on their arms and forearms as well. These are called tankis. They wore these sarim or tankis for status symbol and protection. Girdles of silver coins and coils of fine red and black rattans are commonly worn. In some villages, however, broad belts called sodar are also worn. these attires are also used during festive season "Hari Gawai"

MENS

WOMENS

MELANAU

for men. a handsome fit in jacket cut tunic with brocade samping, canary green chiffon shawl as waistband and a Javanese styled headgear. Black satin blouses, For womens, yellow songket sarong, red embroidered chest decoration complete with string pendant. These clothing are used during festive season called "Pesta Kaul"

cloth for men and women 

BUSINESS IN SARAWAK

Nowadays there are a lot of business happening throughout globe but. Sarawak hold most of the unique product sales and become one of the main export through out globe.


LADA HITAM & PUTIH(PEPPER)

Sarawak pepper has gained international recognition by chefs and gourmets as one of the most favourite pepper ingredients due to its distinctive flavour and taste perfected through years of government funded agro-research. Today, with the advancement of technology, there's more variance in pepper produces like pepper candies and pepper perfume (you won't sneeze). Pepper plantations can be seen along the Kuching-Serian Road. Sarawak ranks amoungst the world's four leading producers of pepper and exports and average 45 million pounds (20,000 metric tons) annually in the period 2001 - 2004. Practically all Sarawak pepper exports are in the form of black and white pepper which are produced generally in the ratio of 70:30 respectively. In recent years, green pepper in brine and dehydrated forms has also been produced in substantial quantities.




IKAN TERUBUK MASIN(SALTED FISH)

Sarawak's all-time favourite and very unique souvenir craze is the Salted Terubok (American Shad) Fish. Visitors would normally come back from Sarawak bearing salted terubok (nicely wrapped in a box for longer preservation) for their friends and family. One of the favourite fishes in Sarawak, terubok is full of bones but tasty nevertheless. The trick of the trade is to find the biggest terubok fish as the bones are larger and easier to dispose. Also available is the terubok egg, and far more expensive. It may set you back about RM200 per kg.




BARIO RICE

Bario Rice is regarded by the 'Orang Ulu' and natives as the finest and best rice from the highlands of Sarawak. It is grown on cool climates at an elevation above 1,200 metres. According to the natives, the rice is only eaten by the longhouse chief on special occasion. It is long been regarded as one of the finest rice grains of the world. It is famous for its soft texture, fine and elongated grains with mild aromas and splendid taste. The rice is a home-grown, laboriously planted and harvested by hands using age-old traditional methods. In the planting of the Bario rice, there is no usage of pesticides and chemical fertilizers. It has all the attributes of organic rice with an added flavour and unique taste as a result of the cool, pristine and unpolluted environments where it is grown. It is perfect for health conscious consumers. Bario Rice is specially air-flown out of Bario and Ba'kelalan highlands to enable the rest of Malaysians to sample the finest rice derived from the Land of the Hornbills.





MUSICAL AND DANCING HERITAGE

                                                                      IBAN

Iban people are also talented musicians and dancers. During the main festivals of Gawai Dayak (Harvest), Gawai Kenyalang (Hornbill) and Gawai Antu (Festival of the Dead), the people will bring out their traditional instruments and celebrate but playing and dancing. Some of the Iban dances such as ngajat  are pretty amazing when you see them live.
The Ibans perform a unique dance called the ngajat. This type of dance is the most popular in Sarawak and Borneo island itself. There are many types of 
dances, including;

  1. Ngajat Induk
  2. Ngajat Bebunoh
  3. Ngajat Lesong
  4. Ngajat Semain
  5. Ngajat Berayah
  6. Ngajat Ngemai Antu Pala







For the Iban people, ngajat is the dance to celebrate the Gawai festival, as well as celebrating the war victory. Dancers will wear traditional clothing such as ‘mesh’, ‘gagung’ or dress the bird. They also wore hats decorated with bird feathers. Gagung is a bold and loud clothes made from animal skin like leather bears , but not sewn up the left and right.Each rhythm is played in accordance with the ritual. For Ari Gawai Sandau, Rayah drums  played for the guest of honor and celebrate Gawai to ber’Rayah’ while carrying the skull of  an enemy.
Another type of dance is that dancers will hold a wooden shield in his left hand and a sword in his right hand and danced like a face with the enemy by swinging his body to the left and right. Accompaniment of the song sounded like devices large and small gongs, drums , tawak, bebendai ,engkurumong and sape , a stringed instrument like a guitar.






Both Iban men and women enjoy styles of  ngajat is a dance which involves a
lot of precise body turning movements. The ngajat which men usually perform is aggressive and depicts a man going to war, or a bird flying (as a respect to the Iban god of war, Burung Kenyalang or Hornbill bird). The  ngajat which women perform is of soft, graceful movements with very precise body turns. Each ngajat is accompanied by the taboh or the body.






In general, better known as the Ngajat but many do not recognize the pattern or type of music in this. Engkerurai is one of the types of musical instruments rarely seen at this point, both in public performances or displayed in print materials. Its existence also seems not widely known. Engkerurai is a kind of musical instrument classified as aerofon tone because the sound produced by blowing mouth. In terms of materials, musical instruments, many uses of bamboo and a gourd. While in terms of songs or repertoire, it mimics many sounds and action of the natural environment. Likewise, engkerurai never presented with other musical instruments.  These musical performances are more alone or solo. Engkerurai presentation more visible in the community who inhabit the Sri Aman Division, where there is many Iban community lives there.


BIDAYUH 

Here are some of the Bidayuh dance that commonly seen by the people today. This type of dance is held when they celebrated great occasions, especially during Gawai festival.





Pesa (Sword Dance)
Pesa or sword dance or Kutau was a very popular art of self-defense among the bachelors during harvset festivals or any social gatherings in the kupuo or villages. The dance is performed to show one’s strength and skills before an audience.The pesa starts with a dancer dancing with his sword pausing as a challenger. After a few minutes of dancing, he pauses for a

 challenge. At this point, his opponent begins to dance with his sword in his hand, pretending to defend himself. When both dancers are in the second round, they then start challenging each other, applying all the available tactics and styles to prove who is the  champion. The pesa is often performed to the accompaniment of bidumbak.






Totokng

Totokng is dance performed to welcome the returning warriors from a headhunting expedition and to receive the newly acquired heads to the longhouse. The purpose of the dance is to appease the spirits of the newly acquired heads so that they will protect the village. It is also used to strengthen the spirit simangi of the villagers when facing their enemies. At the same time, while dancing around the offering tray containing cooked food, the dancers will also chant and pray for a happy, healthier and prosperous life for the villagers.Apart from being a warrior dance, totokng is also performed during the harvest festivals to welcome the souls of padi from the hut and paddy stubble in the padi fields to their respective homes.The dance is also performed to welcome distinguished visitors to the villages. The musical instruments used in the dance are gongs, drums and the wooden instrument, gulintang.


HANDICRAFT OF SARAWAK

 
These beads are crafted into beautiful jewelery. Sewn onto fabric among others. It also depend on the artisan skill and knowledge. Orang Ulu are among the best in the industry.
The different ethnic community in Sarawak have their own style and techniques which influenced their beading style based on their own interpretation and pattern.
The Orang Ulu woman folks are well know for the beading skill. In their hand these beads are crafted and fashioned into beautiful headband, baby carriers and also their traditional dresses among others.
Orang Ulu Traditional Costume
The Bidayuh community also have their own unique and traditional beading works. Nowadays you can buy necklaces and wristlets among other made by Bidayuh artisans.
Bidayuh Beadworks
In the Iban community beads play an important part in their traditional rituals. Their maiden wore traditional dresses and accessories withdistinctive pattern made by sewing beads into the fabric during theGawai Ritual at the Longhouse.
Iban Traditional Costume
Other Sarawak ethnic community are catching up with their own unique and traditional patterns also with modern influenced patterns.


Sarawak beading style and techniques have both traditional and also modern influence making it ideal for accessories to compliments your daily dressing.
Sarawak Beads Handicraft
These unique traditional pattern Sarawak beadwork are readily available at Craft and Souvenir shops in Kuching, the Main Bazaar, Sibu-Central Market., Bintulu and Miri Handicraft Centre. 

Iban Pua Kumbu is a hand woven wrap ikat textile of the Iban Community in Sarawak, East Malaysia. It Is considered to be a sacred object of numerous uses and great significance in the traditional life of the Iban Community.
Pua Kumbu
The Pua Kumbu is made from homespun cotton and dyed using natural dyes namely roots of morinda citrifolia and tarum leaves. The motif on the pua kumbu is produced using the resist technique called ikat.


This complex motifs or designs are normally inspired by dream, nature as well as the Iban beliefs and values.

Human Figure Motive Pua Kumbu

Usage of Pua Kumpu in the Iban Community.

Pua Kumpu play a significance role in the Iban Communit they are being used in various stages in the community traditional lifestyle. During Child birth, marriage, funeral, healing and also in the farming rituals.



These ceramic crafts design and style are being incorporated with Sarawak ethnic motive and theme...making them much sought after as gifts and souvenirs.
The pottery industry of Sarawak have developed from mere producing daily usage items to a range of highly decorative vases and other unique crafts to cater for gifts and souvenir buyers.
Nature Theme Ceramic Vas
Sarawak ethnic motive pottery vase.
Each pottery items are handcrafted by expert and creative potters with depicts the traditional cultures of Sarawak ethnic community and Sarawak flora and fauna theme.
Ceramic Table lamp stan
Beautiful crafted Sarawak Ethnic Motive Table Lamp Stand.
Sarawak ceramic crafts are of two distinct types. One done by the Iban, Murut and the Kelabit and the other done by the Chinese.
Beautifully design Sarawak pottery are easily available at handicrafts and curio shops in Sarawak major town and also at the airport s of Sarawak. They are also available at the various pottery factory and showroom in Kuching and Sibu.
Garden lamp stand from Cerami
Beautiful and intricate Garden Lamp Stand from Ceramic.
In Kuching...these ceramic crafts could be bought from handicrafts and curio shops along the Main Bazaar. Street..the Waterfront souvenir shop and at the Satok Sunday Market. You can also buy them at the Kuching International Airport souvenir shops.



The Bidayuh community which are mainly concentrated in the first division. Kuching are the Bisadon,  .Biatah, Bau-Jagoi and Selako-Lara. Each tribes have their own distinct design and motives.
As the community are mostly farmers the handicrafts that are made are use for carrying, drying and storing their farms produce.
The most popular and in great demand is the “Kasah” is suitable for floor decoration as it strong and durable and lasting. The “Kasah” is made of durable thin strip of durable "segah emas" rattan and weaved together with beaten tree barks. A good quality “kasah” have a rustic look...dark brown rattan and tree barks. The most common size is 4' by 6' or 10' by 16'. This rattan mat could be lasting if it taken care properly.
Bidayuh Kesah
Rattan Mat or Kesah
The Bidayuh community use rattan to make beautiful durable and strong basket to carry stored their farms products and also for decorative items. These basket are come in different size depending on the intended purpose of the items.
Bidayuh Tambok
Rattan Basket or Tambok
Beside using the rattan the community also use thin bamboo strips and also sago branches which have been processed. Due to time consuming preparation and process some members of the community preferred plastic strip which are easily available. Effort are being carry out to diversify to usage of these handicrafts such as purse..document bags among others.
Basket from bambo
Tambok or Basket made from Bamboo. 
Bidayuh Tapan
Tray made from Bamboo
Beside the basket, there are the bamboo tray and fish trap and sunshade which are sometime beautifully decorated with plants motives and also animal.
Fish Trap
Fish Trap made from Bamboo.
The Bidayuh craftsman or the artisan also curved beautiful pen holder and souvenir items among others.
Bamboo craft
Carved Bamboo Items.
Other raw material that are being used by the Bidayuh community to produce these beautifully Sarawak Bidayuh handicrafts are the screw pine leaves or the “mengkuang “ which are processed and weave into mat for bedroom floor and also for drying farm produce. Bemban or the pandanus spp are also being used to make basket and also mats.
Bemban Plants
Bemban Plan

taken in : http://www.sarawak-vacation-destinations.com/sarawak-pottery.html#.UgPKX5JASMk



Pua Sungkit
Compared to the other Pua scarf series, Pua Sungkit is totally unavailable in the market in the present time. It must probably because no one is willing to go through the tedious process of its weaving journey that take some time to complete its process. In fact, the function of this scarf is exactly the same as Pua Kumbu, but the only differences between these two is the weaving technique and process during the making, where Pua Kumbu is much more easier to make thanPua Sungkit. However, due to its difficult making process, most of the Pua Sungkit are small in size and most of it were made into higher value items like costume where it was featured as skirt and only be worn by dancers of higher caliber during special ceremony.
Mariak Empang
This ornate piece of art is intricately stringed and is an one of Iban traditional costume most iconic component. Bead of different colors are skillfully assembled to create patterns and designs that reflects how unique Iban heritage are. Marik Empang is actually an elaborate beaded collar worn by Iban maidens in most dances and ceremonies. It is believed to have been developed as a substitute to wearing layers of chunky beads which were heavy and uncomfortable. This evolution took place in the early 20th century when barter traders to the village of Santubong brought about an influx of smaller and colorful beads. The beaded collar adds a richer and more vibrant texture to the overall Iban costume.
Burung Kenyalang (the Ceremonial Hornbill carving)
The carving of Burung Kenyalang, regarded by the Iban tribe as the God of War, is the most sacred carving used to honor and commemorate the warriors and leaders in the Iban community. Burung Kenyalang or Hornbill bird is also Sarawak’s official animal, as you can clearly see in the state badges. Statues of the hornbills are displayed as centre piece during the Gawai Kenyalang ceremonies along side with other rituals, bard or chanting as well as offerings. The carvings are also used in some ceremonial dances depicting victory and attainment. Traditionally, only a proven warriors is allowed to fell the tree to be used for the carving the hornbill statue while the wood for the hornbill crest can only be cu by a warriors who has killed numerous enemies in a single expedition. The statue becomes sacred after it has been consecrated in the Gawai Kenyalang ceremony, after which it will be respectfully displayed and receive offering in other ceremonies.
The Bidayuh Bamboo baskets
The Bidayuhs has developed quite an impressive series of handicrafts from bamboo. You will be very amazed at how bamboo is widely treasured and used in their everyday life including as materials for building the longhouse. Bidayuh Bamboo carving was initially created to be used as dart-containers for the blow pipe in the olden days.

Traditionally,basket plays an important part in the life of the native tribe who dwell and hunt in the forest and paddy plantation. As the time moves forward, it was developed into containers for storing important documents. Later, these unique way of carving was creatively adopted in and around the interior of longhouses giving rise to that standard interior decor outlook for the Bidayuh Longhouses. However, these heritage is slowly vanishing because of its
difficult process of preparation and its tedious weaving styles and technique.

kiromboi (musical ‘rain-makers’)
Made using a pair of edible kiromboi padd y snail shells and pl ayed with a bamboo stick , such ‘rainmakers’ are based on a loc al legen d where a prolonged drought was ended when frog like calls were played en-mass e.





SPECIAL EVENT

 SPECIAL EVENT 

RAINFOREST WORLD MUSIC FESTIVAL

http://parochialsarawakian.files.wordpress.com/2012/03/rwmf.jpg

The Rainforest World Music Festival is an annual three-day music festival celebrating the diversity of world music, held in KuchingSarawakMalaysia, with daytime music workshops, cultural displays, craft displays, food stalls, and main-stage evening concerts. It is now one of the largest musical events in Malaysia with a total weekend audience approaching 30,000. The festival features a wide range of performances from traditional music, to world fusion and contemporary world music. The festival emphasizes the use of traditional acoustic world instruments, although electric accompaniment instruments are common. Invited performers come from Sarawak, other provinces of Malaysia, and countries near and far. 

The festival is held in the grounds of the Sarawak Cultural Village nestled against the base of Mount Santubong, about 35 km. north of Kuching. The festival runs workshops (mini concerts) in the afternoon followed by evening performances held on the two main stages in the village. The festival usually features from 18 to 20 bands through the weekend.
The atmosphere is very relaxed. Although there are timetables for the workshops and evening performances, visitors are free to enter and leave any event at will. The daytime workshops are held inside various traditional houses in the village, where the performers and leaders of the events are often on the same floor-level as the audience, allowing them to get up close to the performers. There are also no restrictions in communicating with the performers, and the musicians themselves sometimes encourage conversation, especially if it is regarding the topic of the workshop they are running or about the traditional instruments they use. Artists are also not hidden behind barriers at the festival and can seen walking through the site throughout the duration, allowing the audience access to them at any time.

ENTRY TO RWMF: Entry to the Rainforest World Music Festival is by purchasing the tags at the entrance of the Sarawak Cultural Village in Santubong which is home to festival. There are three different tags colour coded for each day from today until Sunday. Getting there is best by public transportation or coaches that are dedicated for the event. Nevertheless, you can drive there but will have to park at designated areas and walk to the venue.

PESTA BENAK 

The Batang Lupar flows 200km from its source in the Kapuas Mountains to the Teluk Datu of the South China Sea. At its mouth the river forms the broadest estuary in Sarawak, as well as accommodating the largest of the four benak's that occur in Sarawak.
Tidal bore or locally known as benak, occurs everyday with different wavelengths and heights. However, during spring tide, normally on the third and eighteen day of the Chinese Lunar Calendar, tidal bores with high magnitude can be observed clearly. The 'benak' continues its journey another 30 km inland, ending near the small village of Engkilili.
Pesta Benak (Tidal Bore Carnival) in Sri Aman is one of the yearly activities in the Sarawak tourism calendar. The objective of Pesta Benak Sri Aman is to introduce Sri Aman town through tourism and encourage tourist from in and outside the country to visit Sri Aman. Apart from it, Pesta Benak is also to promote harmony among local community.

In conjunction with this phenomenon, many events were organized such as exhibition, food fair, karaoke competition, culture and art performances and others. Tidal wave festival has made the area a popular spot in Sarawak for visitors; you can join in the fun and hitch a ride with the longboats or just watch the boatman braving the waves. You can even immerse yourself with the local culture at the food fair, good music and dance performances that are part and parcel of the festival. 


Where to go
Tidal bore or benak phenomenon in Malaysia can only be seen at Batang Lupar, Batang Sadong, Batang Samarahan and Batang Saribas in the state of Sarawak. Sri Aman is situated about 194 km by road from Kuching City. The unique phenomenon of tidal bore occurs in Batang Lupar. Batang Lupar flows from the Klinkang Range to South China Sea with river length of 275 km.

Home to a crocodile a.k.a Bujang Senang
'Bujang Senang' or 'Happy Bachelor' was the name for a huge crocodile that grew to 19 feet and 4 inches. The crocodile is notorious as a man-eating 'monster'. It had a well-formed and worn canines on its huge jaw. 'Bujang Senang' was well known back in 1993, when it went on its killing rampage around the Sri Aman area. The Batang Lupar River, which flows through Sri Aman, still conjures up fearsome images, as it was home to this legendary killer. It was struck down by a shotgun shell in Sg. Pelaban in Lingga Batang Lupar at Sri Aman.
ACTIVITY IN BENAK FESTIVAL 
CROWD OF PEOPLE SEE THE BENAK FESTIVAL 

MUKAH KAUL FESTIVAL 

Kaul is a beach festival of a sort celebrated by the Melanaus of Sarawak. They are mainly sago farmers and fishermen living in the coastal areas although more of them are increasingly involved in the country’s mainstream economic activities.
In the past, Kaul was a ritual cleansing ceremony following a period of privation, a thanksgiving for having successfully weathered the lean times (during the monsoons) and for the return of abundance, a celebration of that abundance, and a plea for continued good fortune for the rest of the year.
The occasion is usually held at the beginning of their lunar calendar during the month of Pengejin which usually falls in March. 
The Melanaus have their own (lunar) calendar structured around the fishing economy and the seasons.

And the calendar is divided into 12 (some communities have 13 months comparable to the present Gregorian (or western) calendar system.

The first announcement is made seven days before the actual ceremony.  
This provides sufficient time for the necessary preparations of ritualistic paraphernalia and special food to be taken to the site of the ceremony.
A second announcement is made three days prior to the festival. 
Normally, the gong is sounded (usually in a boat going downriver) between seven and nine o’clock at night when everybody is at home. 
Traditionally, from this time, until three days after the Kaul, the village would be palei, (observance of taboo) with people forbidden from entering or leaving it or passing it, thus isolating it from the world. 
In addition, no trees could be felled in the vicinity of the village. And above all, no blood (as in the slaughter or killing of animals for food) could be shed.
In accordance with tradition, the Kaul ceremony should be held at the estuary of the river on its true right bank. 
Within the Melanau heartland in Mukah, this practice is maintained (carried out by Melanaus who upheld the old beliefs).
In the past, food for spirits and humans was prepared for the occasion by every household. 
On the day of Kaul, offerings for the spirit were placed in an appropriately decorated flat round basket called seraheng which was raised on a bamboo pole. 
Following some preliminary chants and invocations, the seraheng would then be brought in procession by boat upriver through the village accompanied by all the members of the village. 
For this purpose, canoes were lashed together in lines of three, with a gong orchestra in the front three boats accompanying the chants of the ritual leader. 
The ritual leader (in his chants) would then invite the spirits to join the villagers in a meal and then be implored to depart to their own domains after.  Smaller canoes would accompany the flotilla manned by young men in masks and fancy dress representing the spirits.
Kaul always begins with the ritual leader’s chant.  Loosely translated, the chant was:
“Oh spirits! We call to you not in a dreamlike state (but in a state of full awareness).
We gather here all of us to convey our gratitude, t o openly show our feelings.
We ask that our country be peaceful and productive. We have endured the difficult months of privation and have borne the difficulties with patience. We are here without deceit or dissimulation. We gather here with our offerings at the mouth of this river. 
We call upon the spirits of good intent so that we may have abundance and good health. We ask that all that is bad be chased away. We seek your help that we may obtain all that is good whether from the sea, from above and from below. We ask that we live in harmony and peace and fellowship. We ask forgiveness should any spirit or bird be omitted in this incantation. Do not be offended, rather help us to a good life and to good fortune and chase away all that which is evil, away from the source of the river, away to the hills and away out to the oceans. Bring us good fortune, abundant catches of fish and abundant supply of food, not forgetting the fruits as we have followed the ritual of the Kaul. Should we stumble, help set us on the right path.” 
                                          
POSING with the traditional fishing traps called ‘Bubo and Agan’ from Kampung Judan Mukah







                                                      A traditional decoration for the festival.


Tibou. This is a twenty foot high giant swing, a traditional game of Melanau people.



SARAWAK REGATTA
The 2013 edition will have the dragon boat category for the first time. Participants are expected to come from Malaysia, Hong Kong, Taiwan and Singapore.
This annual event is the showcase of boat race with participation from various government agencies, private sectors and also participants from overseas such as Indonesia and Brunei. Other activities include displays of crafts and exhibitions by local entrepreneurs.
The day programme include “Brooke Swim”, kayaking and duck catching. Racing boats from the various villages around Sarawak will make it a grand affair and also a great occasion for families from outside Kuching to visit the city.
Sarawak Regatta has been a premier event with a distinct historical and cultural significant. It was held as early as before 1872 and was organized as an annual event taking place during the New Year. Sarawak Gazette had recorded in 1872, that the annual Regatta that year was held, on 29th February 1872 at the Sarawak River infront of the Astana. The European community in Sarawak and in the neighboring countries were invited to the Astana - for breakfast - before the race. Keen competition were also recorded for the Rajah Cup. The boat 'Sri Matu' built and manned by the Melanaus, was reported as the winning boat.
The Gazette records provided the indication that Regatta had been an important social event organized annually for social integration and goodwill for the people of Sarawak. Prominent political figure, the late Tan Sri Datuk Amar Ong Kee Hui, recorded that Rajah Charles Brooke used to send his yacht Maimunah1 to outstation to bring in the various Tuan Residents to join in the social event.
The tradition of holding the annual Regatta in the Sarawak River continued through the Colonial period and into the post-Malaysia period. During these periods the Regatta was organized by Resident and District Office with funds from the Government while the rest of the fund was raised through public donations.

SARAWAK REGATTA COMPETITION

CLOSE-UP OF REGATTA ROUTE: The map showing the two starting points of the boat race, which is from Kampung Pulo to the finishing point and; from Kampung Bintangor to finishing point.


Read more: http://www.theborneopost.com/2013/07/12/dragon-boat-race-to-feature-in-sarawak-regatta-2013/#ixzz2bOJdUgEZ




                       GAWAI DAYAK FESTIVAL 

Gawai Dayak is a harvest festival, which is celebrated by the indigenous people of Sarawak, particularly the Ibans and Bidayuhs. They wear their traditional costumes and the festivities include ceremonial offerings of various local traditional delicacies and home-made rice wine known as tuak to the gods of rice and prosperity.
The festival, Gawai Dayak is celebrated with much enthusiasm and fanfare across Sarawak both in cities and villages and is a two day festival that honours the indigenous people of the Dayak community that comprise of Iban, Bidayuh, Kayan, Kenyah, Kelabit and Murut tribes in Sarawak.
From time immemorial the Gawai Dayak festival is a celebration of the culmination of one season and the beginning of the other and for the members of Sarawak’s Dayak communities, the Gawai Dayak Festival commemorates the garnering of the rice harvest and proclaims the onset of a new planting season. However, initially it was not the case. It is believed that Dayaks and Ibans were head-hunters, who prayed to their gods for a good harvest of heads at the annual festival.
People of the Dayak community wear their ceremonial dress and gather at longhouses for prayers and offer food and drinks to the gods. One of the person who has been designated as a priest of the tribe chants specially written litanies to appease the gods and birds and animals were sacrificed to mark the festivities. War dances, cockfights, and blowpipe competitions are some other celebrations of the festival.
The celebrations for the festival begin on the eve of May 31 with traditional music and Muai Antu Rua - a ritual aimed at keeping the spirit of greed from ruining the celebration. During this ritual two men drag a basket along the longhouse and families in each room throw some clothing and household items into the basket. This basket is later dumped on the ground as a "sacrifice" to prevent interference from evil spirits.
After sunset, the appointed festival chief sacrifices a chicken to show his gratitude for a good harvest and requests for the same next year as well. After the sacrifice dinner is served, which essentially features bamboo-steamed rice and sweet cakes made of coconut milk.
Another interesting ritual of the festival is a just before midnight procession known as Ngalu Petara, which passes the community seven times in order to welcome the gods to the festival and at midnight the appointed festival chief holds a toast with tuak for longevity. After this the festival is open to all for dancing, singing and drinking. Gawai Dayak as a festival is more than a demonstration of indigenous culture for tourists and is considered as an auspicious occasion for weddings and family reunions.

Nyarok, Kampung Sadir, Padawan, Sarawak, Borneo


MEAL TIME 

Nyobeng, Borneo, Culture, Traditional, Bidayuh, Gawai, Land Dayak, Kalimantan Barat, Sarawak, Sebujit, sungkung senebe, ritual, kuching, native, malaysia, indonesia, bau
ALL THE MEN TURN AROUND THE CHICKEN & ALL THE THING THAT HAVE BEEN SET UP IN THE CENTRE FOR THEIR RITUAL 

  • The Christmas which is a religious festivals is being celebrated by the Christians throughout Sarawak. Church and carol services are being conducted and organised by the various Christian denomination to usher in the Christmas Celebration. The Celebration is being celebrated on the 25th. day of December month.

VIEW OF THE DECORATION DURING CHRISTMAS 



  • Hari Raya Aidilfitri which mark the end of the fasting month of Ramadan is celebrated by the Muslim Community throughout the State, the day start with a Hari Raya prays at the various mosques then a visit to the ancestor grave to offer prays and seek forgive. At the open house, families and friends are served with variety of foods and cakes, making it a merry occasion.
Try some: Fadillah, his wife Datin Ruziah Tahir and their daughter Khairunisa serving Pandelela and
Bryan delicious food at their residence during the Hari Raya Aidilfitri open house in Kuching. —
ZULAZHAR SHEBLEE / The Star

Try some: Fadillah, his wife Datin Ruziah Tahir and their daughter Khairunisa serving Pandelela and Bryan delicious food at their residence during the Hari Raya Aidilfitri open house in Kuching. — ZULAZHAR SHEBLEE / The Star



  • The Chinese community celebrated their Chinese New Year with lot of foods and merry making. Red packets are exchange among family and friends. The Chinese community regardless of their clan, be it Hokkien…Teochiew…Foochow…Hakka or Kek celebrate the occasion with Lion dance and lot of foods. The celebration ended with on the 15th. day, which call the Chop Go Mei.
Chinese New Year 2011 at Miri Fan Square




  • Balleh Kapit Safari...an exciting river safari race that begins with a night-long merrymaking, showcase the Iban hospitality before the race is launched.

    Visit during the second weekend of April and witness rafters steering their man-made natural rafts down rapid tributaries of Malaysia's longest river-Rejang, to Sarawak's last frontier town of Kapit. This even is open to international participants so do not miss this thrilling ride of a lifetime.



Winners all: The team from Pergigian Kapit which came in second for the best decorated raft award.


Break time: Participants in the Baleh-Kapit Raft Safari relaxing by the river and fishing during a break in the race.


Gaily made-up: A decorated raft from Faber-Medicserve Kapit taking part in the race.



  • Kuching Festival...the anniversary of the declaration of Kuching as a city is celebrated every august. You will surely be entertained throughout this month long festival with activities from a city parade to nightly exhibitions, stage show, concerts and competitions. It is never a dull moment in the city.

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YEARLY ATTRACTION: The crowd thronging the Kuching Festival Fair which provides a huge variety of food and drinks as well as other activities. — Photo by Chimon Upon

Food fair. 


  • Miri Jazz Festival Latin Jazz, contemporary jazz, Caribbean Jazz, Asian Jazz and much more. All the different genres of jazz music find their way to the northern most city in Sarawak for an outdoor international festival with the ambiance of intimate jazz clubs for the easy relaxed people in Miri Resort City.

Borneo jazz 2013 combo page with names

MUSIC ADVENTURE: Rashid (second left) with STB’s director of corporate communications Angela Bateman (second right), Yeah (left) and project event manager Qarmilla Chin Abdullah after the ribbon cutting ceremony to launch the Borneo Jazz Festival 2013. — Photo by Karen Bong
MUSIC ADVENTURE: Rashid (second left) with STB’s director of corporate communications Angela Bateman (second right), Yeah (left) and project event manager Qarmilla Chin Abdullah after the ribbon cutting ceremony to launch the Borneo Jazz Festival 2013. — Photo by Karen Bong




MOONCAKE FESTIVAL 


Mid-Autumn (zhong chiew) festival is also known as Moon Cake Festival or Lantern Festival. This festival is celebrated by Chinese on the 15th day of the eight lunar months or early August nor early September. Besides that, family gathering or reunion will be held on this festival to tighten up the relationship among the family members. The full moon also indicates of family reunion.
As with every Chinese holiday, the Mid-Autumn Festival has its own special food. People eat moon cakes at Mid-Autumn Festival. The moon cake is a kind of cookie with various  fillings and on the surface are printed different artistic patterns depicting the story of Chang Er flying to the moon. People treated this kind of food as one of the sacrificial offerings to the moon in the old days. Today, it has become an indispensable food while appreciating the bright moon for every family. Moon cakes come in various flavors which change according to the region but common fillings are nuts, sugar, sesame, ham and egg yolk.
As the moon cake is round in shape, it symbolizes the reunion of a family, so it is easy to understand how the eating of moon cakes under the round moon can inspire the missing of distant relatives. Nowadays, people present the moon cakes to relatives and friends to demonstrate that they wish them a long and happy life.



GIANT MOONCAKE 

Chinese celebrate Mid-Autumn Festival by spending their time with their family on lighten up the lantern and walk along the road or street. Some spending their time on writing the Chinese poem during moon cake festival.





                                                                                                       Mooncake Festival celebration with performance of bands.

HUNGRY GHOST FESTIVAL 

This festival is also celebrated by Chinese in Sarawak. This is a good time for tourists to know and enjoy the traditional rituals and customs of Hungry Ghost Festival.

Belief for the Hungry Ghost Festival

  • Children are also advised to return home early and not to wander around alone at night. This belief is that children are easily to be possessed by the wandering ghosts.
  • It is bad to go swimming during the 7th month. They think that an evil ghost might cause you to drown.
  • Besides, if you go to cinema or any performances, you will found that the first row of seats is always empty because there is where for the ghosts to sit.
  • Thus, you will found that swimming pools, beaches, shopping malls, cinemas, bowling alleys, parks and other public places will suffer a big dip in customers during this month.
  • During this month, they will not bask their clothes outside at night. Ghosts will try the clothes and after this, they will be brought along into home with the clothes.
  • This is also a month considered not auspicious to get married and start a business.
Joss sticks and joss paper used to worship our ancestors and ghosts.
Dishes served during celebration of Hungry Ghost Festival. But, pay attention that these are not for us, these are for ghost.
Lanterns used to direct the ghosts back to the underworld.